Artist: Daniel Ojanlatva
Link: http://vinebox.co/u/wydVdVo6Jzu/wsqseCkIzPl
Other videos: http://vinebox.co/u/wydVdVo6Jzu
For this Internet research, I chose a popular Internet and
mobile tool that enables its users, even brands, to inspire, create and share
stop motion animation. “What is this revolutionary and technological tool?” you
may ask. My friends, you may or may not be surprised, the tool is Vine. Yes,
the latest and hippest social media craze where people can “Follow” accounts,
similarly to Twitter. If you haven’t heard about it let me briefly explain.
Vine is accessed through an app that is downloaded on a mobile
device. The user is allowed a maximum of six seconds to record. Although,
CNET’s videographer argues that it is really six and a half seconds, “Vine works out to six seconds and 14 frames, played at 28.77
frames per second.” The recording of the Vine, or
6-second video, is simply done by pointing the cell phone at what is wished to be
recorded, and pressing the touch-sensitive record button. Then the person taps “Done”
then the “Share” button on their cell phone and it is posted onto their
profile.
I love that because of Vine’s entrance as an innovative
marketing platform, brands were and are, forced to become goal-oriented
artists. Also, Vine has given everyday people from various backgrounds and
professions, from comedians to scientists, the freedom to create entertaining
and informative videos. Since Vine has a time limit, the usage of stop motion
animation techniques and forms are prominent. I have witnessed cut-paper,
puppet, clay, object and pixilation animation. I even see Vines that use a
combination and new kinds of animation that I don’t even know what to call.
Such is the case with Daniel Ojanlatva. I was most impressed for his ability to
think out-of-the-iPhone. He incorporates and collaborates different kinds of
animation so cohesively; all while, delivering entertainment value and even call-to-action
messages within the lapse of a few seconds. You must watch his Vine titled, “Continue
from last save Y/N?”. Take a breath, this is going to get complicated: he records
a video recording that is on a cell phone which looks like it’s interacting
with inanimate objects, a string and the cell phone itself. These come to life
and move according to the actions of the person, (most likely Daniel himself)
within the video recording. It is object animation (the in-class example of the
Weismann’s picnic) because the cell phone and string seem to move. I argue and
inquire, is it pixilation animation (where people look like they are moving) as
well? The man in the video looks like he is moving but in reality, Daniel has
to perfectly synchronize pressing and un-pressing the recording button. Also I don't know exactly how he adds audio into the Vine. Perhaps
the video is just a video, not a person. I also highly recommend watching his
drawing and object animation video called, “I dunno, a fish I guess.”
Thank you for this, I feel honored!
ReplyDeleteI'd like to point out that this technique where you mix what seems to be moving images and stop motioned objects was first done in King Kong 1933.
What I've done is to trick people into thinking they are watching a recording on the phone, they are not. It is in fact a (long) series of photographs and not a film clip. So I'm changing image on the phone for each shot. It takes a while but not as long as deleting all the images from the phone afterwards.
Audio is added at the same time I'm recording. Either it's a background sound I'm playing on the computer or me making silly noises.
(In King Kong they projected a filmed sequence of a person frame by frame while moving Kong between shots)
But the important question is still; did I find this blog while googling myself? ... Yes...
..yes I did
Best
Daniel Ojanlatva
haha Indeed, that is the important question. Thank you for enlightening me on the magic you have mastered. Who knew that black and white films did this? ... well, you did. haha
Delete